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Role: Defendant — Anthony Morgan (Male, Any Age, Any Race)
Denise Chapman is suing her son Anthony Morgan for medical expenses after being injured in an incident involving a stripper pole. Anthony argues he warned Denise beforehand and claims Denise got on the stripper pole without his consent—suggesting the accident was the result of her own choice, not his negligence.

We are casting featured participants to portray individuals involved in a real small-claims case for the unscripted TV series Equal Justice with Judge Eboni K. Williams. This role requires strong improv ability, grounded real-person energy, and the ability to bring believable emotional nuance to reenactments.

Character Overview: Anthony is a well-put-together guy trying to stay away from his “for the streets” past, but it keeps circling back into his life and reputation. He’s frustrated and embarrassed that his mother’s injury is now a courtroom issue, especially with the implication of anything “stripper pole” related. Anthony’s defense is a mix of responsibility (he warned her) and boundaries (she did it anyway), with a quiet fear that his past will be used against him no matter what the facts are.
Requirements:

  • Strong improv ability with grounded, natural delivery

  • Able to portray composure under judgment, embarrassment, and frustration

  • Comfortable playing a son defending boundaries against a parent

  • Strong reactive listening; can stay consistent under pressure and pointed questions

  • Can communicate “I warned her / I didn’t consent” clearly without sounding cruel
    Compensation:

  • $20 per hour

$$

Role: Co-Defendant — Simon Robinson (Male, 30s–40s, Any Race)
Douglas Lazenby is suing Simon Robinson and Simon’s wife Kelly for $1,100, claiming they promised he could stay in their spare room after his divorce, then removed him without warning and left him with moving and storage costs. Simon supports the defense that Douglas had ample time and was taking advantage of their generosity—implying Douglas would have stayed indefinitely if allowed.

We are casting featured participants to portray individuals involved in a real small-claims case for the unscripted TV series Equal Justice with Judge Eboni K. Williams. This role requires strong improv ability, grounded real-person energy, and the ability to bring believable emotional nuance to reenactments.

Character Overview: Simon is kind, overly patient, and conflict-avoidant—he struggles to say no or stand up for himself. He’s caught between loyalty to an old high school friend and loyalty to his wife and child. Simon may seem hesitant or guilt-ridden, but he ultimately wants stability at home. He’s the “soft one” who let things go too long, and now he’s trying to justify the line they finally drew.
Requirements:

  • Strong improv ability with subtle, naturalistic performance

  • Comfortable playing passive, apologetic energy under pressure

  • Able to portray internal conflict (friendship vs family) convincingly

  • Strong reactive listening; can answer tough questions without collapsing

  • Can hold a firm position while still seeming compassionate
    Compensation:

  • $20 per hour

$$

Role: Plaintiff — Douglas Lazenby (Male, 30s–40s, Any Race)
Douglas Lazenby is suing Simon and Kelly Robinson for breach of contract in the amount of $1,100 after they allegedly told him he could stay in their spare room while he got back on his feet following a divorce—then kicked him out without warning. Douglas says the sudden eviction forced him to move his belongings across state lines to his parents’ home and pay for a storage unit, and he wants reimbursement for those costs.

We are casting featured participants to portray individuals involved in a real small-claims case for the unscripted TV series Equal Justice with Judge Eboni K. Williams. This role requires strong improv ability, grounded real-person energy, and the ability to bring believable emotional nuance to reenactments.

Character Overview: Douglas is a “good guy” going through a rough chapter—recently divorced, intelligent, and genuinely kind, but also irresponsible, a little lazy, and somewhat immature. He’s fun to be around and has a sweetheart vibe, but that charm can mask avoidance and entitlement. He sees himself as betrayed by old friends, convinced he was promised stability and then humiliated with a sudden boot.
Requirements:

  • Strong improv ability with natural, grounded delivery

  • Able to portray a likable guy who’s still clearly messy/behind in life

  • Comfortable playing heartbreak, embarrassment, and indignation authentically

  • Can argue “I had an agreement” while being challenged on responsibility and effort

  • Strong reactive listening in tense, personal conflict scenes
    Compensation:

  • $20 per hour

$$

Role: Defendant — Kelly Robinson (Female, 30s–40s, Any Race)
Douglas Lazenby claims Kelly Robinson and her husband Simon invited him to stay in their spare room after his divorce, then kicked him out without warning—causing $1,100 in moving and storage costs. Kelly argues they gave Douglas plenty of time, and that he began taking advantage of their kindness, showing no urgency to leave or rebuild his life.

We are casting featured participants to portray individuals involved in a real small-claims case for the unscripted TV series Equal Justice with Judge Eboni K. Williams. This role requires strong improv ability, grounded real-person energy, and the ability to bring believable emotional nuance to reenactments.

Character Overview: Kelly is no-nonsense, intelligent, and generally nice—but her patience has limits. She believes in second chances, not third and fourth, and practices “tough love” when someone refuses to change. As a wife and mother, she’s protective of her home, her boundaries, and her family’s peace. She may feel guilty for how things ended, but she’s firm that Douglas overstayed and needed a wake-up call.
Requirements:

  • Strong improv ability with grounded authority and clear boundaries

  • Comfortable playing impatience, fairness, and “enough is enough” energy

  • Able to stay composed while being accused of cruelty or betrayal

  • Strong reactive listening; can deliver specifics (time given, patterns, boundaries)

  • Natural, real-world delivery (not “mean villain,” but firm and justified)
    Compensation:

  • $20 per hour

$$

Role: Defendant — Jason Sawyer (Male, 30s–40s, Any Race)
Emily Panelli claims her roommate Jason Sawyer threw a party at their home without her permission, and that guests at the party stole $576 worth of her property. Jason insists the party was meant as a surprise for Emily’s 40th birthday and argues that Emily allowed guests to stay—so he shouldn’t be held responsible for missing items.

We are casting featured participants to portray individuals involved in a real small-claims case for the unscripted TV series Equal Justice with Judge Eboni K. Williams. This role requires strong improv ability, grounded real-person energy, and the ability to bring believable emotional nuance to reenactments.

Character Overview: Jason is upbeat, social, and well-intentioned—he genuinely believes he did something nice. He’s the kind of roommate who thrives on friends, gatherings, and good vibes, and he’s shocked to be framed as the bad guy. Jason leans on “intent” and shared responsibility, insisting he couldn’t control every guest and that Emily’s behavior after the party implies consent. He may be defensive, but he’s not trying to be cruel.
Requirements:

  • Strong improv ability with natural, grounded delivery

  • Comfortable playing friendly charm that turns defensive under accusation

  • Able to argue intent vs. responsibility convincingly without seeming shady

  • Strong reactive listening; can respond quickly to timeline and accountability questions

  • Can portray “hurt/confused” while still standing firm on his defense
    Compensation:

  • $20 per hour

$$

Role: Defendant — Tonya Hammons (Female, Mid–Late 40s, Any Race)
James Peterson claims Tonya Hammons owes him $1,650 connected to a graduation gift purchase. Tonya argues the demand makes no sense because James never bought their two other children expensive graduation gifts, so she believes this is unfair, inconsistent, and not an agreed-upon expense she should have to reimburse.

We are casting featured participants to portray individuals involved in a real small-claims case for the unscripted TV series Equal Justice with Judge Eboni K. Williams. This role requires strong improv ability, grounded real-person energy, and the ability to bring believable emotional nuance to reenactments.

Character Overview: Tonya is pragmatic, reasonable, and a natural peacemaker who wants everyone to get along—even with an ex who pushes her buttons. She’s not trying to fight; she’s trying to make the situation make sense. Tonya’s strength is calm logic and fairness: she frames the claim as a double standard and challenges the idea that she should pay for something she didn’t authorize, especially given past patterns with their other kids.
Requirements:

  • Strong improv ability with calm, grounded presence

  • Able to portray peacemaker energy while still standing firm

  • Comfortable handling confrontation without getting flustered

  • Strong reactive listening and clear, consistent explanation of “fairness” argument

  • Natural, everyday delivery—real parent energy
    Compensation:

  • $20 per hour

$
Job Type:
Actor
Skills:
Acting

Job Description

A vertical web series is urgently casting a paid supporting speaking role for the character “Hamilton.” The production is seeking an actor who can convincingly play a 17-year-old, male-presenting high school student with a polished, wealthy private-school presence. This role includes dialogue and requires a Standard US accent. Talent should be prepared for multiple shoot days within the production window and be available for a wardrobe fitting.

Job Responsibilities

  • Perform a supporting, speaking role with clear, natural dialogue delivery.

  • Portray a confident, affluent private-school student with believable teen energy.

  • Use a Standard US accent consistently throughout scenes.

  • Take direction, adjust performance choices across takes, and maintain continuity.

  • Attend wardrobe fitting and adhere to production styling requirements.

Requirements

  • Must convincingly play age 17 (male-presenting).

  • Must be able to perform a Standard US accent.

  • Comfortable on camera in a fast-paced vertical web series format.

  • Must submit: headshot, height, and CV/showreel (if available).

  • Include your availability across the production window in your submission.

Compensation Details

  • Paid role (rate not listed; details provided upon selection)

  • Estimated 8–10 paid shooting days within the production window

$$

Role: Plaintiff — Emily Panelli (Female, 40, Any Race)
Emily Panelli is suing her roommate, Jason Sawyer, for $576 after items went missing from their home. Emily says Jason threw a party at their place without her permission, and during the event some of her belongings were stolen by Jason’s guests. With her 40th birthday at the center of the situation, Emily feels violated in her own home and furious that what was framed as a “celebration” turned into a loss she now has to cover.

We are casting featured participants to portray individuals involved in a real small-claims case for the unscripted TV series Equal Justice with Judge Eboni K. Williams. This role requires strong improv ability, grounded real-person energy, and the ability to bring believable emotional nuance to reenactments.

Character Overview: Emily is earnest, emotionally vulnerable, and deeply frustrated. Turning 40 is a big emotional milestone for her, and the incident hits a nerve—she feels disrespected, dismissed, and unsafe in her own space. She may struggle between wanting to be gracious about the “surprise” and needing to be firm that boundaries were crossed and she was harmed.
Requirements:

  • Strong improv ability with natural, grounded delivery

  • Able to portray emotional vulnerability, frustration, and indignation authentically

  • Comfortable holding boundaries and delivering clear accusations without melodrama

  • Strong reactive listening for tense roommate confrontation and courtroom questioning

  • Able to clearly explain the timeline and what was missing/why it matters
    Compensation:

  • $20 per hour

$$

Role: Plaintiff — James Peterson (Male, Late 40s, Any Race)
James Peterson is suing his ex, Tonya Hammons, for $1,650, claiming she owes him money tied to a graduation gift (a dirt bike-style gift purchase). James argues there was an agreement about reimbursement, and he wants the money paid back—no excuses, no delays.

We are casting featured participants to portray individuals involved in a real small-claims case for the unscripted TV series Equal Justice with Judge Eboni K. Williams. This role requires strong improv ability, grounded real-person energy, and the ability to bring believable emotional nuance to reenactments.

Character Overview: James is impulsive, demanding, and rigid—uncompromising when he believes he’s right. He views the situation in black-and-white: money is owed, period. He can come off as intense and controlling, especially when challenged, and he’s easily triggered by anything that sounds like disrespect or “changing the story.” Underneath the hard edges is pride and the need to feel acknowledged for doing something “big” for his child.
Requirements:

  • Strong improv ability with natural, grounded delivery

  • Comfortable portraying rigid, confrontational energy without turning cartoonish

  • Able to escalate quickly, then rein it back in when redirected

  • Strong reactive listening for courtroom questioning and pushback

  • Can deliver a clear, consistent version of the “agreement” and amount owed
    Compensation:

  • $20 per hour

$$

Role: Plaintiff — Veronica St. James (Female, 35, Any Race)
Veronica St. James is suing professional matchmaker Simone Reynolds, claiming Simone paired her with men who were unsuitable and unattractive—and that Simone allegedly pulled candidates from a “Glow Up” program for men who feel unattractive instead of the premium matchmaking database Veronica paid for. Veronica says she went on four dates, stopped after none matched what she requested, and feels the service violated the trust and expectations of their professional agreement.

We are casting featured participants to portray individuals involved in a real small-claims case for the unscripted TV series Equal Justice with Judge Eboni K. Williams. This role requires strong improv ability, grounded real-person energy, and the ability to bring believable emotional nuance to reenactments.

Character Overview: Veronica is a polished Harvard MBA with high standards—she expects partners to match her success, lifestyle, and appearance. She’s confident, image-conscious, and strategic, and she takes it personally when she feels she’s been “sold” something that doesn’t meet the premium promise. Her frustration is sharp and specific: she believes she paid for elite curation and got something else. Under the poise is deep offense, humiliation, and anger at feeling played.
Requirements:

  • Strong improv ability with a natural, grounded performance

  • Comfortable portraying polished, high-status presence (executive energy)

  • Able to play righteous indignation and wounded pride without becoming caricature

  • Strong articulation for detailed complaints, expectations, and boundaries

  • Can credibly handle confrontation while staying composed and controlled
    Compensation:

  • $20 per hour

Casting Calls

Advance Your Entertainment Career with Project Casting

Whether you're a seasoned professional or just starting your career, our platform offers a wide range of casting calls to help you find your next role.

Find Casting Calls & Acting Auditions Near You

Are you an aspiring actor looking for your big break or a seasoned professional seeking your next role? Navigating the world of casting calls can be a thrilling yet challenging journey. Understanding where to find these opportunities and how to leverage popular filming locations can significantly enhance your chances of landing that dream role.

What are Casting Calls?

Casting calls are auditions organized by casting directors to find suitable actors for various roles in film, television, theater, and commercials. These are your gateway to the screen and stage, providing a platform to showcase your acting skills to key decision-makers in the industry.

Popular Filming Locations and Their Impact

Several cities around the world are renowned for being film-making hubs, each offering unique opportunities for actors:

1. Hollywood, Los Angeles: The heart of the film industry, Hollywood is synonymous with cinema and television. Here, casting calls are plentiful, ranging from blockbuster movies to independent films and everything in between.

2. New York City: Known for both its theater scene and film productions, NYC is a vibrant hub for casting calls, especially for Broadway shows and live performances.

3. Atlanta, Georgia: With its favorable tax incentives, Atlanta has become a hotspot for film and TV productions, resulting in a surge of casting calls for actors in recent years.

4. Vancouver, Canada: Often referred to as “Hollywood North,” Vancouver is a top destination for filming due to its diverse landscapes and favorable filming conditions, leading to many opportunities for actors.

5. London, UK: A significant center for film and theatre, London offers numerous casting calls for everything from feature films to West End productions.

Tips for Navigating Casting Calls

  • Stay Informed: Regularly check specialized websites like Project Casting, where you can find daily updates on casting calls in various cities. Utilizing these platforms can help you stay ahead of the competition by applying early to newly posted opportunities.
  • Prepare Thoroughly: Always arrive at auditions prepared. This means having your lines memorized, understanding the character you are auditioning for, and being ready to take direction or feedback on the spot.
  • Network: The film industry is as much about talent as it is about connections. Attend industry events, workshops, and festivals in these popular locations to connect with casting directors, filmmakers, and other actors.
  • Professional Portfolio: Maintain an updated portfolio with your headshots, resume, and reel. An impressive portfolio can make a significant difference in how casting directors view your professionalism and suitability for a role.
  • Persistence and Patience: The entertainment industry is known for its competitiveness. Persistence in attending auditions and patience in handling rejections are key to eventually succeeding.

Conclusion

Whether you’re near the bustling streets of New York, the scenic views of Vancouver, or the historic sites of London, understanding the landscape of casting calls is crucial. By staying informed, prepared, and connected, you can navigate this dynamic field and potentially turn your acting aspirations into a successful career. Remember, every audition is a step forward in the industry, so take advantage of the opportunities these popular filming locations offer.

For more information on the latest casting calls and tips on advancing your acting career, visit Project Casting.

How do I find a legit casting call?

To find legitimate casting calls, start by using reputable platforms like Project Casting, which vets postings to ensure authenticity. Always research the casting company or director associated with the call. Legitimate opportunities typically don’t require payment to audition, and any contact should come from professional email addresses rather than personal accounts.

Can you audition without an agent?

Yes, you can audition without an agent. Many open casting calls and online platforms allow individual actors to submit directly for roles. While having an agent can provide access to more exclusive opportunities and handle negotiations, many new actors start their careers by attending open calls or self-submitting for roles online.

What is the difference between a casting call and an audition?

A casting call is a notice put out by producers or casting directors seeking potential actors for roles, inviting them to apply or present themselves. An audition is the process where actors perform a specific piece, like a monologue or a script, in front of the casting team after responding to a casting call. Essentially, the casting call is the request, and the audition is the response.

What is the best free casting call website?

Generally, you should not pay to attend casting calls. Legitimate casting calls and auditions do not require payment from actors. If a casting call asks for money to audition or to secure a role, it is likely a scam. The standard practice is that any fees associated with the casting process are covered by the production.

Should I pay for casting calls?

Generally, you should not pay to attend casting calls. Legitimate casting calls and auditions do not require payment from actors. If a casting call asks for money to audition or to secure a role, it is likely a scam. The standard practice is that any fees associated with the casting process are covered by the production.